The influences of architectural forms and spaces as art is the foundation of my work as I see art evolving harmoniously from the formalism of design. Delineating spaces and defining dynamic geometries as the basis for artistic experimentation. Where architectural expression ends, my pursuit of pattern language begins, pulling and pushing beyond the box as a deeper exploration of elements. The work is inspired from the impact of physical forms, their responses to surroundings, defined through my artist’s eye toward translation of those forms as patterns. Fundamental to all that we see, hear, and do, patterns provide structure to our ability to see and feel the emotionalism of creative abstraction.
My work seeks to influence how design pattern concepts evolve into greater artistic expression. Predictable elements reinforce the visualization of transposing the rigidity of architecture into a modern art form, validating how these creative forces interrelate, inspiring further examination of how linear forms are the foundation for true nonlinear expression.
My work is a technology art electronically painted on the computer working with a variety of software and hardware. From a blank screen I begin by exploring elements, textures, and lines visualized and invented in the moment. Electronic media allows mixing both raster and vector components in layers where I manipulate the attributes of each for different reactions within a work. Pure vectors and pure geometries contrast with the rasterized fragmentation of everything around them, creating the structural tension between linear and nonlinear experimentation in the work. I choose whether to produce as archival pigment on artist canvas, on fine art papers, and as dye-sublimation transfer to aluminum sheet.
Original artworks painted using digital technologies produced as archival pigment prints on fine art stretched canvas and museum papers by Gary Kerr, Master Printmaker, and as dye-sublimation transfer to aluminum sheet, signed, titled, and numbered by the artist. Currently, all artwork is limited to editions of 10 (ten). Click on an image to see a larger preview. If you are interested in purchasing a work, please email me with the artwork number and title. Similar to the photographer's original negative, each artwork printed from my digital file is considered an original work.
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