Where architectural expression ends, my pursuit of pattern language begins, pulling and pushing beyond the box as a deeper exploration of elements. The work is inspired from the impact of physical forms, their responses to surroundings, defined through my artist’s eye toward translation of those forms as patterns.  Fundamental to all that we see, hear and do, patterns provide structure to our ability to see and feel the emotionalism of creative abstraction.

My work seeks to influence how design pattern concepts evolve into greater artistic expression.   Predictable elements reinforce the visualization of transposing the rigidity of architecture into a modern art form, validating how these creative forces interrelate, inspiring further examination of how linear forms are the foundation for true nonlinear expression.
 
The work is a technology art electronically painted on the computer working with a variety of software and hardware.  From a blank screen I begin by exploring elements, textures, and lines visualized and invented in the moment.  Electronic media allows mixing both raster and vector components in layers where I manipulate the attributes of each for different reactions within a work. Pure vectors and pure geometries are in contrast to the rasterized fragmentation of everything around them, creating the structural tension between linear and nonlinear experimentation in the work. Finished works are produced as archival pigment prints on fine art papers and as dye-sublimation transfer to aluminum sheet.